by Titas Halder

Part of NT Connections, performed by The Edge Young Actors Company

DATE: Friday 22nd & Saturday 23rd March

TIME: 7.30pm

PRICE: £5/3*

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Something happened on the school trip. One of the class has been replaced by an exact replica of themselves. At least that’s what everyone’s saying. Once a rumour starts, it can be difficult to remember what is real – or who. Convinced that there is an impostor walking among them, a group of teenagers is determined to root out the intruder. A mystery about friendship, the nature of truth, and humanity. When it comes to it, how do you prove that you are a human?

This performance by The Edge Young Actors Company is their Home Performance as part of the National Theatre Connections Festival.

Connections is the National Theatre’s annual, nationwide youth theatre festival. The programme is 28 years old and has a history of championing the talent of young people from across the UK.
Information on the Playwright:

Titas Halder is a writer, director, and musician. His first two plays RUN THE BEAST DOWN (Marlowe Theatre, Finborough) and ESCAPE THE SCAFFOLD (The Other Room, Theatre 503) saw him nominated for Best New Writer at the Stage Debut Awards. His play THE BASEMENT was a finalist for the Verity Bargate Award. He trained on the Royal Court Theatre Young Writers Programme and at the Donmar Warehouse as Resident Assistant Director. For the National Theatre he has been a director and playwriting tutor for NT New Views and was Staff Director on CONSENT.

Titas has worked extensively on new writing and developing new plays. His work as director includes: THE LEMON TABLE by Julian Barnes / Ian McDiarmid, co-directed with Michael Grandage (UK Tour), SINNERS CLUB by Lucy Rivers (Soho Theatre, Theatr Clwyd, The Other Room), A BOY AND HIS SOUL by Colman Domingo (Kiln Theatre), THE DANCE OF DEATH by August Strindberg / Conor McPherson (Donmar Trafalgar). He is currently writing his first feature film. He performs and records as Titas and the Fox.




Please note that latecomers may be refused entry and readmittance may not be possible.
In the event of a show having an interval The Edge may not allow access to latecomers until the second half of the performance, this is due to the seating area being accessed across the performance area.

*Concessions by Conscience: you pay what you can afford depending on your circumstances. We don’t ask for any proof, we just leave it to your discretion. Please remember we are a charity and rely on ticket income and other limited funding.
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